Wednesday, April 30, 2014

Final Prompts for EN 211 -- Spring 2014






Below are the prompts for the take home part of the final (50 pts).  Choose only one prompt.  The essay will be due on Wednesday, May 14. Note that you may choose to write about works that we have not discussed in class.

1.  What does the term American literature mean to you?  How has this term evolved for you over the semester?  How has it evolved in the era that we cover in EN 211?  What appears to be the purpose of literature?  How does it evolve?  Discuss the contributions of four of our readings to your understanding of American literature.  Feel free to consider works from different genres as well as those from both Colonial America and the United States of America.  Two should be from the first half of the semester; two should be from the second half.  How does literature shape American identity?  You may also consider works from Canada or Mexico or the Native American peoples.  What does each work have in common with the others?  How does each work trouble or complicate your understanding of American literature?  Note that we have talked about some British authors (John Donne, George Herbert, Samuel Richardson, Katherine Phillips, Jane Austen, Charlotte Temple Smith, etc.) as well.  (The British works are above and beyond your four works to discuss.)

2.  What role do women play in American literature before 1865?  Consider women as characters, audiences, and authors in up to three different works.   Which genres or topics do they seem to prefer?  How do they view the act of writing as well as its purpose?  Recognize that your viewpoint will be grounded in your historical perspective as a 21st century American.  Feel free to consider works from different genres as well as those from both Colonial America and the United States of America.  Two should be from the first half of the semester; two should be from the second half.  

3.  Should it matter whether or not a work is popular or even published during its author's life?  Why?  Why not?  Should it matter whether or not a work was popular when it was first published?  Why or why not?  Refer to up to three of the works that we've read so far this semester.  Consider how publication may change a work.  Consider the authors' race, class, and gender and these factors' impact on their work and its publication.  Note that some of the British authors we've talked about were not published in print (as opposed to manuscript circulation) either.   Note that Emily Dickinson chose not to publish her work although many women of her time did.  Note that Walt Whitman self-published his work.  (The British works are above and beyond your four works to discuss.)

4.  What role does race play in American literature before 1865?  Consider not only African-American and/or Native American authors and their writing but also African-American and/or Native American characters and audiences as well as European-Americans as a race.  Also, consider how race impacts important themes in American literature such as freedom and individualism.  Note that Phillis Wheatley is a public poet, perhaps because she must argue for her right to write poetry.  Note that readers suspected that Harriet Jacobs' narrative had been written by her editor.  Feel free to use 20/20 hindsight, especially about the Civil War.  Discuss four works from the semester so far.  Two should be from the first half of the semester; two should be from the second half.  

5.  What role does genre play in American literature before 1865?  Consider the genres that you have read in other literature classes (especially at the college & AP level) and those that we are reading this semester.  Consider that, in the second half of the class, we have read more traditional literary genres in addition to our life writing and journalism.   Discuss the impact of gender, class, race, and historical period.  Note that we have talked about some British authors (John Donne, George Herbert, Jane Austen, etc.) as well and that we have read both canonical and non-canonical writers.  Refer to up to four works.  (The British works are above and beyond your four works to discuss.)

6.  What role do landscape and geography play in American literature before 1865?  Consider differences in genre, historical period, gender, race, and class among authors and their works.  If you have studied later American literature and/or read the work of nature writers such as Terry Tempest Williams, Barry Lopez, or Henry David Thoreau, feel free to bring their insights into your discussion.  You may also bring in insights from your reading of British writers, especially the Romantics.  Refer to four works.  Two of these should be from the first half of the semester; the other two should be from the second half.

Good luck!  Feel free to check in with me if you have questions.

Monday, April 28, 2014

Questions After 4/28 in EN 211





Good evening :)

It's hard to believe, but we are beginning our next to last week of class.  Emily Dickinson is our next to last author.  Walt Whitman will be the last.

At the beginning of Wednesday's class, I'll take some time to go over the readings we will cover for the final.  The final will also include the presentations by Miriam, Sabina, and Fatu.  Will we have others in class?

See the links below for the sonnets by Higginson, Dickinson's friend and "mentor":


It's interesting that none of the poets we've covered so far in EN 211 wrote sonnets.  Of course, from John Milton in the late 1600s to William Wordsworth in the 1790s, sonnets were out of style.

In addition, here is some information about Dickinson's drafts:

What does this information tell you about her poetry?  or poetry in general?

Discuss the style of Dickinson's poetry.

How does she express passion?

How does she describe nature?

Here is a class website on Romantic Writers and Natural History, ironically from Dickinson College:  http://blogs.dickinson.edu/romnat/2011/06/07/charlotte-smith/
What does this information tell you about how writers in the 1800s thought about nature?  how Dickinson and/or Higginson thought about nature?

By the way, here are some poems by Charlotte Turner Smith (1749-1806) who encouraged young women to study nature:
Compare these sonnets to Higginson's or to Dickinson's poems.

And we have not discussed Dickinson's poems about social isolation and death.

How does Dickinson's poetry evolve over time?  What remains the same?

What does Dickinson tell us about the American landscape?  

What is most American about Dickinson's poems?  Why?

Am looking forward to hearing more of what you have to say about Dickinson's poems!

Have you submitted your evaluation yet?

Friday, April 25, 2014

Questions After 4/25 in EN 211





Above and below are some pictures of Liberia.








Good evening :)

I hope that you enjoyed Fatu's energetic and entertaining presentation on Liberian folktales.  It reminded us of the folktales we read at the beginning of the semester, but it also provided another perspective on one supposed solution to the problems of slavery.  I am looking for a video that a student showed in EN 202 one summer to provide background on modern Liberia.  In the meantime, here is an interesting documentary about American Marylanders' trip to Maryland in Liberia.


Here is Frederick Douglass' editorial on emigration to Liberia:


Harriet Jacobs' complete narrative is here:

After seven years, she ended up, with the help of Peter, a friend of the family, escaping on a ship.

On Monday, we will move on to the poetry of Emily Dickinson.  Please read up to p. 1488.  We will not discuss all of the poems.  

Here are some links to my reviews of books on ED:

I'll conclude with a few questions for your journals.  

-- What jumps out at you as you read Emily Dickinson's poems?  How are her poems like today's poems?  How are they different?

-- What does ED add to American literature? American identity?  How does she complicate it?

-- How does she finish up our course?

-- What does she add to your understanding of women's writing?

-- What does she add to your understanding of gender roles in the past?  How does she complicate them?

Here is a link to The Belle of Amherst, a play depicting ED as a middle-aged woman:

How does this play help you understand her poems?  How is it irrelevant to your understanding of her poems?

Note that one of the only known photographs of ED is one of her as a teenager, long before she wrote her poems.

How does this affect your response to her poetry?

Which themes are prevalent in ED's poetry so far?

Which poetic devices are prevalent?

What do you learn about the poet and her world from reading these poems?  Why?

Compare ED's poems to others that you have read in this class and elsewhere.  

By the way, here is a link to sonnets by T.W. Higginson, who would later edit her work:



What does it seem to mean to be "Team Emily"?

I am looking forward to seeing and hearing what you have to say!

Thursday, April 24, 2014

Questions After 4/23 in EN 211





The picture of Ms. Jacobs above is from 1894.  Below is a drawing of her hiding place in her grandmother's attic.





Good afternoon :)

Tomorrow we will continue to discuss Incidents in the Life of a Slave Girl and (I hope) watch Fatu's presentation.  I also hope to be commenting on your papers soon!

Next week we will start reviewing for the final and finishing up with Whitman and Dickinson.

Here are the links to the videos we watched in class yesterday:




I hope to read Dr. Fagan Yellin's biography of Harriet Jacobs at some point as she has done so much to recover Jacobs' life and work.

Here are a few more questions:

-- What does Jacobs' narrative add to your understanding of slavery?

-- How does she depict her family?  her community? her owners?

-- Discuss Jacobs' response to Mrs. Bruce's decision to buy her freedom.  Do you feel that Mrs. Bruce did the right thing?  Or not?  Why?

-- Discuss Jacobs' decision to hide in plain sight rather than to escape up North.

-- Compare and contrast the actual runaway notice for Harriet Jacobs http://www.pbs.org/wgbh/aia/part4/4h1541t.html with the version included in Incidents.  What does this tell you about Jacobs' presentation of herself to her audience?  What does this tell you about Dr. Norcom's perception of Jacobs?

-- How does Jacobs use literary devices in her narrative? How does she use elements of literature?

-- How does Dr. Fagan Yellin's referring to Jacobs as a "teenager" affect your understanding of her narrative?

-- Compare Jacobs' childhood to Douglass' and Equiano's.

-- Compare Jacobs' youth to Douglass' and Equiano's.

-- Which would be a better way to group authors--by their date of birth or their date of death?  Why?  (In a review of a book by Prof. Devoney Looser, I noted  that " Looser playfully argues for classifying authors by the dates of their death, rather than their birthdates.  She observes that 'Jane Austen (1775-1817) and Sir Walter Scott (1771-1832) would come before Maria Edgeworth (1768-1849) and Frances Burney (1752-1840)' (169)." )  As Harriet Jacobs died in 1897, we would be ending with her although Harriet Beecher Stowe would be very close to the end since she died in 1896.  We would also be reading Melville alongside Whitman as their dates of death are very close (1891 vs. 1892).  Imagine if I were better at following chronology!

Feel free to come up with some of your own questions based on your interests and our class discussion. 

Questions after 4/21 in EN 211






Above is a picture of Edenton, NC, the town where Harriet Jacobs was a slave.



Good evening :)

How are your papers coming along?  (I've noticed that they are starting to arrive.)

On Wednesday, we will begin Harriet Jacobs' Incidents in the Life of a Slave Girl.  Note that, in her narrative, she refers to herself as Linda Brent.

Here is a blog entry from 2008:

Sabina's handout is also useful.

Here are a few more questions for you and your journal.

-- How is your journal helping you with the second half of the semester?

-- How is your journal better than it was in the second half of the semester?  How is it worse?

-- What is it like to return to the slave narrative?

-- What is it like to return to non-fiction?

-- Discuss the readings by Jacobs, Fuller, Fern, and Stowe.  What do they tell you about women's writing in the 1800s?  Why?

-- How does Harriet Jacobs describe her childhood?  

-- How has slavery affected her?

-- How does she argue for her humanity?  her womanliness?

-- Compare/contrast the life of a poor white person with the life of a slave.

-- Compare/contrast the urban North with the rural South.

-- Harriet Jacobs' narrative was published in the 1860s.  How does it reflect its near-belatedness?

-- Discuss Harriet Jacobs' relationships with her family.

-- Discuss her relationships with her masters and mistresses.

-- What does Incidents add to our examination of American identity?  American literature?

I'm looking forward to seeing and hearing what you have to say!

Friday, April 18, 2014

Questions After 4/18 Class



Above is an image from the promotional material for the 2014 production of Machinal.

Good evening :)

Today we began our discussion of Bartleby, and we will continue on Monday.  Take a look at at least one of the following other stories (Fuller’s Our City Charities,” Stowe’s “The Seamstress,” and Fern’s “Blackwell’s Island") so that we can discuss them together.  In addition, the stand-alone essay will be due after class..  There will be no annotated bibliography.

Here is the link to the trailer of Machinal that we watched:


This video is of part of an actual performance, but its quality is not the best:

Lately, Machinal is a popular play!  I think that it also shed light on Bartleby.

Here are a few more questions for your journals:

--How is your paper coming along?  Which one source did you choose?  Which theme are you applying?  Why?

-- Which other sources are you using?  Why did you choose them?

-- Compare and contrast Bartleby and the young woman in Machinal.  

-- Why does Bartleby prefer not to?  Does the narrator learn why at the end of the story?

-- Discuss Bartleby's narrator.  Do you sympathize with him?  Why?  Why not?



Using Levinson and Erikson's theories, where do you place Bartleby on the scale of development?  Why?

-- Is "Bartleby" really a story about nothing?  Agree.  disagree.

-- What does "Bartleby" add to our understanding of American identity?

== What can it add to American identity?  American literature?  any other categories?  Why?  Why not?

-- Bartleby has no female characters.  How does that affect your reading of the story?

-- Using the stories I've assigned, how do they shed light on "Bartleby"?

-- What do we learn about what it is like to be poor in 19th century America?

-- What is it like for literature to turn to the city and to the present day?  Why?

-- Consider Bartleby's workplace.  What is the author trying to do with it?

-- Respond to the ending of the story.

-- How is American literature evolving?  How is American identity evolving?

Good night!

Wednesday, April 16, 2014

Questions after 4/16 Class








Good evening :)

Today we finished Hawthorne's stories, and for Friday we will move on to Melville's story Bartleby.  Monday is the date when your stand-alone papers are due--unless we have made other arrangements.  How are your papers coming along?

Here are a few questions for your journal.

We looked at two stages of development, namely Daniel Levinson's and Erik Erikson's:



Here is a review of Levinson's book on the stages of a woman's life:

Where would you place Young Goodman Brown, Rev. Hooper, and the characters of Bartleby?  Why?

We talked about the Hawthorne stories as "late" coming of age stories.  Could this concept fit Bartleby?  Why?

Compare Hawthorne's protagonists to protagonists from other coming of age stories (novels, short stories, film).  How are they similar?  How are they different?

To what extent are Hawthorne's stories meditations on history?  Why?  How much do you need to know about history to enjoy these stories?

To what extent are they timeless?  Why?  Could they be set  in our era?

Discuss the way that Hawthorne portrays women.

Discuss the settings of Hawthorne's stories.

With Bartleby, we move to the city, namely Manhattan.  What is different about the city?  Why?

How do Hawthorne's stories fit into American identity?  How does Melville's Bartleby?

What does Melville tell us about the workplace in the 1800s?  How has it changed since Franklin's day?

See you in class!

Monday, April 14, 2014

Questions after 4/14 Class







Good evening :)

In today's class, Sabina gave her presentation on African-American authors (thank you!), and we began discussing the canonical fiction of Nathaniel Hawthorne, starting with "Young Goodman Brown."  On Wednesday, we will finish discussing "YGM" and continue with "The Minister's Black Veil" and "The Birthmark."  See this link for the latter story:


We are a week away from the due date for the stand-alone paper.  What would you like to write about?

Also, what would you like to present on?

For example, maybe we need to focus on the Salem Witch Trials a little more!

Here is a History Channel documentary.  Note that it is almost an hour long:
https://www.youtube.com/watch?v=zIvwbu84GiY

A law school professor has put together a web site on famous trials, and the SWT are among them:  http://law2.umkc.edu/faculty/projects/ftrials/salem/salem.htm


What light does this information shed on Hawthorne's fictions, their setting, their plot, and their depiction of character?

For more on Nathaniel Hawthorne's life, see this biography:  http://www.egs.edu/library/nathaniel-hawthorne/biography/

What do you make of his life?

Here is a link to a student's article on Brook Farm, the utopian community where Hawthorne lived for a time.  He felt uncomfortable there and eventually left.

What does the presence of a utopian community like Brook Farm tell you about America in the mid-1800s?  Are you surprised that Hawthorne moved to Brook Farm?  Why?  Why not?

What light does the information about Brook Farm shed on Hawthorne's stories?

In "Young Goodman Brown," why does the title character remain with the devil?

What do you make of the ending of this story?  Why does YGB remain with his family and in his village?

How would you have responded to what YGB saw?  Why?

What does YGB tell you about good, evil, and morality?

How does YGB's perspective differ from the narrator's and/or the author's?  

Why does Mr. Hooper put on the black veil?

Evaluate him as a minister.

Why do his parishioners respond to him the way he does?

How does the narrator present Mr. Hooper?

Discuss Mr. Hooper's relationship with his wife Elizabeth.

In "The Birthmark," discuss Georgiana and Aylmer's relationship.

Which themes illuminate Poe's stories?  Which illuminate Hawthorne's?  Why?

Good night...and see you on Wednesday! 

Sunday, April 13, 2014

Questions After 4/11 Class



Above is a picture of The House of the Seven Gables, a museum in Salem, MA.  It's merely $12.50 per adult, no student discount.



Yikes!  I meant to send these questions yesterday or even Friday night.

With Nathaniel Hawthorne, we are moving onto an even more canonical short story and novel writer.  Moreover, his writing is very much concerned with Puritanism and its effects on the 1800s, and he is very much against perfectibility or the belief that we can be perfect.

For Monday, please read "Young Goodman Brown" and "The Minister's Black Veil."  If you have time, read "The Birthmark" as well:



Here are a few questions for your journal:

-- What do Poe's and Hawthorne's stories tell us about the way that American culture and literature is developing?

-- How did our emphasis on Puritan literature and culture help you to read Hawthorne's stories?

-- How do Hawthorne's stories shed light (especially a different light) on Puritan literature and culture?

-- Compare and contrast Poe's and Hawthorne's stories.  Which approach do you prefer?  Why?

-- How do Hawthorne's stories fit into American literature?

-- What do they tell us about American identity?  Why?

-- Compare and contrast Hawthorne's stories with more contemporary ones.  How are they similar?  How are they different?

-- How do Poe and/or Hawthorne depict women?  How do they handle questions of gender?

-- How do they illuminate questions of socio-economic class?

-- How do they fit with a more multicultural and racially aware approach to American literature?  Or do they fit?  Why?  Why not?

-- Do you believe that perfection is possible?  Why?  Why not?

-- Can we transcend our human nature?  Our human failings?  Why?  Why not?

-- What is human nature?  Why?  Why not?

-- In what ways are literature and the desire for social change compatible?  Why?

-- In what ways are they incompatible?  Why?

Wednesday, April 9, 2014

Questions After 4/9 in EN 211

 



Good afternoon :)

For Friday, we will turn to more canonical fiction by Edgar Allan Poe ("The Fall of the House of Usher" and "The Tell-Tale Heart"), one of the pioneers in short-story writing (as opposed to sketch-writing) as well as, of course, his poem "The Raven."

Here are a few questions for you and your journal:

-- What does Edgar Allen Poe add to the fiction that we have been studying this semester?

-- What does he add to the poetry that we have been studying this semester?

-- Compare Poe's stories to other stories you've read outside of this class.  These stories may be "genre" fiction.  Poe is known for his tales of horror as well as his mystery fiction.  

-- To what extent is Poe entertaining his readers (including you)?

-- To what extent does analysis or historical background help you understand his work more fully?

-- Poe is a very popular writer although he is not as canonical as some.  Why do you think that he holds that position?  

-- Of the fiction writers we've read so far, which TWO are most deserving of being read  in your high school English class or future editions of EN 211?  Why?  Why not?

-- Should literary authors write to effect social or political change?  Why?  Why not?

-- Should literary authors write to entertain?  Why?  Why not?

-- Can an author do both?  Why?  Why not?

-- When you choose works to read in a literature course, what role does the author's intention to effect social or political change play?  Is it positive?  Is it negative?  Why?  Why not?

-- What role does gender play when one is choosing works to read in a literature course?  Why?  Why not?

-- How have our readings so far illuminated questions of gender?

-- How have our readings so far illuminated questions of socio-economic class?

-- How have our readings so far challenged your ideas about American identity?

By the way, Poe was one of A.B. Longstreet's fans!

Monday, April 7, 2014

Questions After 4/7 Class



Above is a picture of a volunteer at Old Sturbridge Village, a Massachusetts museum that depicts life from 1790 to 1840.  Below are a few other pictures that give you an idea of how the museum portrays this era that we are now reading about.






Good evening :)

For Wednesday, we will focus on Harriet Beecher Stowe's stories, specifically "Trials of a Housekeeper" and "The Freeman's Dream."  Note that HBS wrote Uncle Tom's Cabin and was, in Lincoln's words, "the little woman who wrote the book that started this great war."  If you are curious, feel free to take a look at the excerpt from her novel, which is included in our textbook.  

We may have another presentation as well.  

Also, the stand-alone essay will be due on April 21.  Have you thought about which work you will examine?  Will it be a sketch or story?

Here are a few questions for you:

-- Below are the trailers that we looked at:
https://www.youtube.com/watch?v=7Afx8MGg00g

Unfortunately, no one has made movies of 18th c. novels about heroines who lead more dissipated lives.  

Compare the lives of Jane Austen's characters to the lives of the young women portrayed in both "The Dance" and "Cacoethes Scribendi."

-- Consider the ways that each story ends.  Compare them to the epiphany type of ending that we see in more contemporary fiction.

-- Compare this older fiction to contemporary fiction (both literary and genre).

-- How are Mrs. Stowe's stories different from the fiction we've looked at so far?  How are they similar?

-- Consider Miss Sedgwick's attitude towards writing.  Compare it to other authors' apparent attitudes.  Who is most similar to her?  Who is most unlike?  Why?

-- Which themes have been developed in our writing so far?

-- If you were to revise your midterm essay to fit our post-midterm reading, what would you do?  Why?

-- What does Mrs. Stowe's writing tell you about the way that men and women lived in the 1800s?  Compare the information to what Mr. Longstreet or Miss Sedgwick's writing tells us?

-- Do you think that Mrs. Stowe is using her short stories to effect social or political change?  Why?  Why not?

-- Discuss Mrs. Stowe's attitude towards African-Americans.  Why did she write about slaves?

-- How is the United States evolving at this point?

-- How is its literature evolving at this point?

-- How does looking at British literary works affect the way that you look at American literary works?

-- Do you feel that American literature has a distinct identity at this point?  Why?  Why not?

-- Does American literature have a national identity yet?  Why?   Why not?

I am looking forward to seeing what you have to say!