Thursday, August 29, 2013

8/29 Questions in EN 190





[Recently Gillian Anderson played Nora in a British production set in 1909.  There Torvald and Krogstad were politicians!]


Good evening & welcome to our new students :)

I hope that you are enjoying watching the 1973 version of A Doll House.  If you have a chance, feel free to read the play (1242-1297) or the online version:  



Feel free to take a look at the new (or not-so-new) entries on the blog as well:



Here are a few more questions for you based on our discussion, the parts of A Doll House that we have seen, and the blog entries.  Skim over the questions to see which ones intrigue you the most.


-- What did today's scenes add to your understanding of A Doll House?  performance?  theater?

-- How did today's scenes complicate your understanding of A Doll House?  Nora?  the characters' relationships?  the actors' performances?

-- Discuss A Doll House as a film.  How do the extra scenes (the opening credits, the scenes outside of the house, especially Krogstad's scene with his sons) add to your understanding of the play?

-- We've been focusing on characters' psychology and actors' performances.  How do other elements (set design, camera angles, composition of shots, sound, costumes) add to your understanding of the play?

-- If you've had a chance to read the play in our anthology or online, how do the stage directions add to your understanding of the play?  How do they limit it?

-- What do you make of the coincidence that Mrs. Linde and Krogstad used to know each other?  Why?

-- Try out this website:  http://www.pbs.org/manorhouse/1905/
What would your life have been like in 1905?  How does this knowledge help you understand A Doll House a little better?  Why?  Below are some pictures from 1905.







-- Consider the developmental theories of Kohlberg and Gilligan:
How would you apply them to Nora, Torvald, and Krogstad's comments and actions?

-- Choose a link, observation, or photo from the blog entries.  How does it deepen your understanding of A Doll House?

-- Should more plays be available on film or video?  Why?  Why not?

-- How would A Doll House work as an immersive play (see information about Punchdrunk Theater Company)?

(Here is a blog entry on Punchdrunk's Sleep No More, an adaptation of Macbeth:  http://www.unwinnable.com/2011/05/06/sleep-no-more-get-a-sloppy-kiss/ )



Have a great weekend, and I'm looking forward to seeing what you have to say!

Dr. Szlyk


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