Saturday, April 5, 2008

August Wilson's Gem of The Ocean

  This photo from Syracuse Stage's 2007 production of August Wilson's Gem of the Ocean is very striking, but I thought I'd put up some words this evening to go with it.  Also, I'd like to find a few good pictures as well.

Gem of the Ocean is the first play in August Wilson's Pittsburgh Cycle...or Century Cycle, his series of ten plays, one for each decade of the 20th century.  Here is the Kennedy Center's site on Wilson's cycle.  It's a good, quick overview with useful links.

http://www.kennedy-center.org/calendar/index.cfm?fuseaction=showevent&event=titac

For more information on August Wilson, see this extensive obituary from the NY Times. 

http://www.nytimes.com/2005/10/03/theater/newsandfeatures/03wilson.html?pagewanted=1&_r=1

Gem of the Ocean is set in the 1900s, a period of time that was as close to the Civil War as we are now to the 1960s.  Two of the characters in the play, Eli and Solly Two Kings, had helped to bring slaves to freedom via the Underground Railroad.  During the play, Solly tells of his own escape from Alabama, and he is intending to return there to rescue his sister.  Another character, Aunt Ester had been a slave as well (although she is a mystical individual, being 287 years old and able to travel to "The City of Bones.")  In the picture above, Aunt Ester, together with Eli, Solly, and Black Mary (Aunt Ester's protege), is conducting Citizen Barlow, a young refugee from Alabama, to that city so that he can redeem himself despite a death that he was responsible for.  (At the beginning of the play, another young man has drowned himself rather than admit to a crime he did not commit.  Citizen not only committed the crime but also looked on while the young man drowned.)

The productions of Gem of the Ocean & Fences that my husband and I saw at the Kennedy Center were staged readings.  In other words, each of the actors carried with him or her a bound script; however, some barely relied on their scripts and even used them to substitute for various props.  The actor playing Black Mary, for example, held her script as if it were a frying pan.  In Fences, on the other hand, the actors playing Troy and Rose passed a script between them as though it were the baby that he had brought home from the hospital.  Despite the performances being staged readings, the actors usually wore appropriate costumes, and the set design evoked Pittsburgh without being terribly fussy.  In fact, the same blue/black background served for both plays that I saw; only the arrangement of tables and chairs differed.  This is very different from some productions that I have seen; there the set design has been very elaborate, almost museum-quality.  (See the pictures below from "Jitney" and "Joe Turner's Come and Gone.")

However, as Gem of the Ocean contains much magic realism, a museum-quality set might be inappropriate.  After all, Citizen Barlow travels to the City of Bones in a paper boat made from Aunt Ester's bill of sale, and the play's most prosaic character, Caesar, is clearly an interloper.

Here are some reviews of other performances of Gem of the Ocean.  Phylicia Rashad (the mother on The Cosby Show) has played Aunt Ester; she has also directed another production of this same play.

http://broadwayworld.com/viewcolumn.cfm?colid=1873

http://www.theaterscene.net/ts/articles.nsf/RP/0E50FE60ABD8EB8D8525709D003F8C5D


http://www.post-gazette.com/pg/06156/695731-325.stm

http://blogcritics.org/archives/2006/01/16/083723.php


DC's Arena Theater also staged Gem of the Ocean in 2006:

http://dctheatrescene.com/2007/02/06/gem-of-the-ocean/



Below is a picture from that production.  The actor playing Citizen Barlow looks quite young!


To finish with, here is another scene from the Huntington Theater's production.  In this scene, Aunt Ester is sending the peddler Rutherford Selig off to find Solly and Citizen before the police constable Caesar finds them.  Here Phylicia Rashad plays Aunt Ester.


There she is with Solly Two Kings.  Anthony Chisolm also played Solly's role at the Kennedy Center's reading. 



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