At this point, we've seen scenes from three films. I am going to take out the copy of A Doll's House that the Rockville campus' library has, but I will include any information from that film on the study guide for drama/theater.
Apocalypse Now (1979) dir. Francis Ford Coppola (who also directed The Godfather--parts 1, 2, and 3). According to Coppola at the time, "This isn't a film about Vietnam. This is Vietnam." The cast included Martin Sheen (Willard), Marlon Brando (Kurtz), Robert Duvall (Lt.Col. Kilgore, the officer with the cavalry hat), a very young Laurence Fishburne (Clean, one of the men on the boat), Albert Hall (Chief, the captain of the boat), Frederic Forrest (Chef, another of the men on the boat), Timothy Bottoms (Lance, the surfer on the boat), and Dennis Hopper (the photojournalist/a revision of the Russian in Heart of Darkness).
Jane Eyre (1944) dir. Robert Stevenson. The novelist Aldous Huxley was among the screenwriters for this film. In a number of scenes, Jane's narration appears as highlighted text in a book. Some of this narration is not Bronte's novel but Huxley et al's screenplay. Similarly, Dr. Rivers, the one adult who is kind to Jane, appears in the film but not in the book. Joan Fontaine plays Jane as an adult; Peggy Anne Garner plays her as a child. Orson Welles plays Mr. Rochester, her Byronic employer and later husband. Margaret O'Brien plays Jane's pupil and Mr. Rochester's illegitimate daughter, Adele. With this film's deep focus, it is hard to believe that it was filmed on a set and not at an actual castle.
David Copperfield (1999) -- This version of Dickens' novel (the closest thing we'll probably ever get to his autobiography) stars Daniel Radcliffe as the young David Copperfield. We saw the following scenes: the evening that David is born to his widowed mother (his aunt Betsy Trotwood visits), David's term at a bad school (Ian McKellan plays the foul-tempered teacher), and his visit from Barkis (who will later marry David's nurse Peggotty) and Peggotty's nephew Ham. At this bad school, David nevertheless meets Steerforth, a spoiled young man who becomes the boy's protector.
Which of these films would you include in a film and literature course?
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