Showing posts with label ibsen. Show all posts
Showing posts with label ibsen. Show all posts

Thursday, April 21, 2011

Reviews of Recent Productions of Hedda Gabler





Tonight I'd like to start posting links to reviews of recent productions.  I'll begin with Ibsen's Hedda Gabler.  The 2009 production starring Mary Louise Parker has produced a number of striking images.  Let's see what the critics thought of the performance itself.

The New Yorker's John Lahr weighs in here:

http://www.newyorker.com/arts/critics/theatre/2009/02/09/090209crth_theatre_lahr


The New York Times' Ben Brantley criticizes this production severely:

http://theater.nytimes.com/2009/01/26/theater/reviews/26bran.html

On the other hand, Brantley praises the touring production that starred Cate Blanchett:

http://theater.nytimes.com/2006/03/03/theater/reviews/03hedd.html

Here she is with Hugo Weaving (Judge Brack).


Hilton Als, however, is more skeptical, claiming that Blanchett is really playing 20th century actress Katherine Hepburn rather than Hedda.

http://www.newyorker.com/archive/2006/03/20/060320crth_theatre

Als preferred Glenda Jackson's Hedda.


For more about this film version, see this link:
http://lecinemadreams.blogspot.com/2011/01/hedda-1975.html

Surprise!  Surprise!  The film was released in theaters.  Patrick Stewart played Hedda's former lover, Lovborg.

Let's look at some other recent productions.



In 2009, Chicago's Raven Theater's production received much praise:

http://chicagotheaterblog.com/2009/05/08/review_raven-theatre_hedda-gabler/

Adrian Noble directed this British production just last year:

http://www.telegraph.co.uk/culture/theatre/theatre-reviews/7397799/Hedda-Gabler-at-the-Theatre-Royal-Bath-review.html

http://www.guardian.co.uk/stage/2010/mar/08/hedda-gabler-theatre-royal-review



German director Thomas Ostermeier tries to answer the question of why a contemporary Hedda doesn't just leave Tesman and start over:

http://www.guardian.co.uk/stage/2008/feb/29/theatre1

More locally, the always-intriguing Washington Shakespeare Theater Company has staged this play:

http://dctheatrescene.com/2008/02/16/hedda-gabler/

The Philadelphia-area Mauckingbird Theater Company has imagined Hedda as a lesbian:

http://www.broadstreetreview.com/index.php/main/article/mauckingbirds_lesbian_hedda_gabler




I'll finish with a link to a review of an interesting 2007 production from Pittsburgh:

http://www.post-gazette.com/pg/07170/795181-325.stm



See the link below for the entry with the plethora of video clips, including the one pictured below!

Link


Tuesday, April 19, 2011

Hedda Gabler

Several different versions of Hedda Gabler are available at YouTube.

The first is a recent version by the Actors Ensemble of Berkeley:


Janet Suzman played Hedda in this 1972 BBC version:


Ingrid Bergman's 1963 performance is also from the BBC:


Diana Rigg's Hedda dates from 1981:


Below are parts of various theatrical versions.  If you speak Spanish, you may be interested in this version from Uruguay:


Or this version from Spain:


Britain's Broken Biscuit Theater has staged this version.  Its director is Marysia Kay.


Mary Louise Parker has recently appeared as Hedda:


This last "avant-garde" version is from the University of Central Florida:


Enjoy, and let me know what you think!

Dr. Szlyk

Monday, March 3, 2008

Midterm Study Guide -- Spring 2008 -- plays (A Doll's House)

  At this point, our unit on drama is not yet finished.  (After break, we will read Mother Courage and The Love Suicides, a German play and a Japanese play respectively.  If you saw Chicago, you may find some of Brecht's techniques in Mother Courage a little familiar.)

This study guide will focus on A Doll's House and an overall discussion of drama and theater.

-- Drama refers to the author's play script as it is published.  Theater, on the other hand, refers to the performance of the play and all the "extra-textual" elements: casting, costumes, sets, mise-en-scene, the reading of lines, sound, lighting, music, and venue.  For example, a performance of A Doll's House at the Theater Arts Arena will be very different from a performance of the same play in a park or in a classroom.

-- An important element of theater is the central idea of a performance.  This central idea will determine casting, staging, costuming, and even reading of lines.  The central idea will also affect the audience just as much as an audience may determine a play's central idea.  Audiences who see many plays and are willing to experiment will accept a more adventurous production and central idea.  Audiences who see fewer plays will probably be more conservative.

-- A Doll's House (1879) is one of Ibsen's problem plays.  In other words, in this play, Ibsen (1829-1906) explored a pressing issue and encouraged his audience to think about it.  He guides his audience rather than telling them what to think or entertaining them.  The problem play relies on a proscenium arch stage, which frames the action and distances it from the audience.  (Did you know that in Aphra Behn's day wealthy theatergoers could sit on the stage--and leer at the actresses & smirk at the audience?!) Ibsen was a Norwegian playwright and wrote in that language, but his plays were quickly translated into English and became popular for more intellectual audiences.  Ibsen's advocates in English included the great novelist and would-be playwright Henry James, theater critic and playwright George Bernard Shaw, and the actor Elizabeth Robins.  Another advocate was our anthology's translator, William Archer (1856-1924).

-- The BBC version of A Doll's House that we saw in class dates from 1992.  There Juliet Stevenson plays Nora, and Trevor Eve plays Helmer.  This version is fairly conservative: it is set in the 1870s, and the scenes that we saw were indoors.  Other noted  versions of A Doll's House on film were theatrically-released movies from the 1970s: one starring Claire Bloom and another starring Jane Fonda (see above).




Friday, January 11, 2008

A Doll's House (More Pictures!!!)

The picture above is from a California modern-dress production of A Doll's House.  I looked a little bit for a picture from a local production, but I wasn't able to find one quickly.  Below is another period production from the University of California at Riverside.  The scene depicted is Nora's rehearsal of the tarantella.



On the other hand, I did find this essay that explains the importance of Ibsen and his approach to modern drama.

http://www.ibsenvoyages.com/e-texts/four_plays_intro.html

The author of this essay is not only a literary scholar but also the former Resident Dramaturg for the American Ibsen Theater in Pittsburgh. 

Here is a link to a biography of Ibsen.  As you'll see, he lived a long life, and this long life was lived during an eventful period of history--the 19th century.

http://www.kirjasto.sci.fi/ibsen.htm


Ibsen caused quite a sensation in England, as this essay from 1893 details, and poet/critic/language reformer George Bernard Shaw coined the term "Ibsenism."

http://ibsen.net/index.gan?id=35363&subid=0


Ibsen caused this stir because of his approach to psychological and social realism. 

http://ibsen.net/index.gan?id=108034&subid=0


This article, also from the Norwegian site Ibsen.net, covers the playwright's approach to the performance of his plays, especially their casting:

http://ibsen.net/index.gan?id=1927&subid=0


I am trying to find some of the 19th c. and early 20th c. performances of A Doll's House online.  I wanted to find a picture of Elizabeth Robins (one of Ibsen's early advocates) as Nora, but all I could find was one of her portraying Hedda Gabler, another of Ibsen's heroines.



Northern State University in Aberdeen, SD has a very informative and complete site on A Doll's House.  The production is from the 2003-04 season.  Unfortunately, the web site is a little wonky.

http://www.northern.edu/wild/0304Season/DollsHouse/Doll_Nts.htm

Below are links to a variety of productions of A Doll's House.  The first link actually brings you to a site where you may download the scanned version of a review from 1918!  Alla Nazimova (pictured below) played Nora.

http://query.nytimes.com/gst/abstract.html?res=9B0DEFD81F3FE433A25753C3A9629C946996D6CF

The picture below is from Nazimova's 1922 silent film version of Ibsen's play.



This review is even older.  It describes a benefit performance held in 1894:

http://query.nytimes.com/gst/abstract.html?res=9C02EFDC1F39E033A25755C1A9649C94659ED7CF

Here is a review of the 2007 production pictured at the top of this entry:

http://www.metroactive.com/metro/01.24.07/dolls-house-0704.html

Another recent production in New Hampshire took a very eccentric approach, casting very tall women and very short men.  The play was staged at Dartmouth by the Mabou Mines, an outside, experimental theater group from New York.

http://hop.dartmouth.edu/2005-06/46-dollhouse.html


Here is a link to a video of the Mabou Mines' production:

http://www.youtube.com/watch?v=oHn2FxLJOoI

This 2008 production from Chesapeake Shakespeare takes a more traditional approach.  




http://www.broadwayworld.com/viewcolumn.cfm?colid=25048

http://www.washingtonpost.com/wp-dyn/content/article/2008/02/13/AR2008021303167.html



Look up or scroll down to see pictures from a Nepali theater's production of A Doll's House:

http://www.aarohantheatre.org/onstage.php

Here is a review of a recent production in NYC:

http://www.villagevoice.com/theater/0446,feingold,58483,11.html


Here are reviews of films from the 1970s.  The first starred Claire Bloom and Anthony Hopkins, and the second starred Jane Fonda.  We are watching the version starring Ms. Bloom and Hopkins.


But here is a picture of Ms. Fonda's version.


The link below is to a review of the version starring Ms. Fonda.

http://movies.nytimes.com/movie/133372/A-Doll-s-House/overview

I'll conclude with Prof. Ian Johnston's lecture on A Doll's House:

http://www.mala.bc.ca/~johnstoi/introser/ibsen.htm