Showing posts with label augustwilson. Show all posts
Showing posts with label augustwilson. Show all posts

Sunday, July 17, 2011

Links from 7/18 -- Civil Rights Era, Baseball, & the Century Cycle



Link

I thought that it would be easier just to share this old entry.  See the link above to go there.

What else was going on in 1957?


In 1957, nine high school students desegregated Central High School in Little Rock, AR.



EN 190 Links for Fences



Above is a picture of the 2010 Broadway cast of Fences.  You may notice Denzel Washington as Troy.


There is no movie version of Fences, but here are some trailers from various productions, and below is another still from 2010 with Washington as Troy and Viola Davis as Rose.


Here he discusses this role:


Ah, here is a collection of scenes from that version!

http://www.youtube.com/user/FencesBroadway

James Earl Jones was the original Troy:

Here Jones is with Mary Alice, the actor who played Rose.  Courtney B. Vance of Law and Order:CI played Cory.


Kenny Leon directed another version at Boston's Huntington Theater.  Pictures follow below:



In 2007, Portland (OR) Center Stage presented this version:


This version is a film rather than a play filmed:


The last clip is a classroom version from Introduction to Theater at CUNY Baruch:


In 2008, Minnesota's Penumbra Theater staged Fences.  As you may have seen, Wilson worked with this company at one point.



Here are links to interviews with people who knew August Wilson, the author of Fences:

http://www.youtube.com/watch?v=s4Nyi2szYFw


http://www.youtube.com/watch?v=6KcLTgiZ68Y&feature=related

Below are some reviews of various productions.

Charles McNulty reviews a 2010 production at LA's South Coast Repertory:

http://latimesblogs.latimes.com/culturemonster/2010/01/theater-review-fences-at-south-coast-repertory.html


Frank Rich's review from 1987 is here:

http://theater.nytimes.com/mem/theater/treview.html?res=9b0de7de1f3df934a15750c0a961948260

Ben Brantley reviews the recent Broadway revival starring Denzel Washington:

http://theater.nytimes.com/2010/04/27/theater/reviews/27fences.html

Toby Zinman makes some interesting points:

http://www.broadstreetreview.com/index.php/main/article/august_wilsons_fences_in_new_york

Thomas Garvey reviews the Huntington's production here:

http://hubreview.blogspot.com/2009/09/huntington-swings-for-august-wilsons.html


See Carolyn Clay's review for another perspective:

http://thephoenix.com/boston/arts/90186-black-beauty/


Thursday, July 14, 2011

Versions of Fences


Link


At the link above, you will find links to trailers from various versions of Fences.  Over the weekend, I will edit that old entry for your consumption.



Thursday, February 17, 2011

Links from 2/17 -- Civil Rights Era, Baseball, & the Century Cycle

While I'm online this evening, I'd like to send you links to the clips we watched in class this evening.

Above is a picture of Emmett Till, the boy who was beaten to death in Mississippi in 1955, just two years before Fences takes place.

First are the clips from Eyes on the Prize, a documentary from 1987, two years after Fences was first performed.



I want to add the clip about Emmett Till:

Below is a documentary on the events in South Boston that I had mentioned:


Above is a picture of Jackie Robinson sliding home.  He was also an exciting baseball player.  Below is a picture of Satchel Paige.  



These are the clips about baseball.  First, Buck O'Neil recalls a Negro League World Series game in which legends Satchel Paige and Josh Gibson clashed.


Here Buck O'Neil remembers Jackie Robinson being signed to the major leagues:


The link to the documentary on Jackie Robinson is below:

Denzel Washington recently played Troy in a Broadway revival of Fences:


Ah, here is a collection of scenes from that version!


Kenny Leon directed another version at Boston's Huntington Theater:


Ah ha!  I finally found a number.  Kenny Leon has directed *five* different versions of Fences as well as versions of all but one play in the Century Cycle.


Let's take a look at scenes from the other plays.  Set in the 1900s, the first play in the cycle is the magical Gem of the Ocean.


Here is a link to Kenny Leon in rehearsal at his TrueColors Theater in Atlanta:


You may see clips from Bartlett Sher's production of the next play, Joe Turner's Come and Gone, which was set in the 1910s.




The set from this production at Lincoln Center is incredibly different from the set of DC's African Continuum Theater, which I saw.

Wilson's 1920s play is Ma Rainey's Black Bottom, the only play *not* set in Pittsburgh:


The Piano Lesson takes place in the 1930s.



Seven Guitars is set in the 1940s.



Fences is Wilson's 1950's play.

See the links below for Two Trains Running, the 1960's play, and an interview with one of its directors.



Jitney, Wilson's 1970's play, was actually written first.  Gem of the Ocean and Radio Golf were the last.


I saw the version profiled in this video!!

I had a difficult time finding a clip of King Hedley II, Wilson's 1980s play.


We'll finish with Radio Golf, the last play that Wilson wrote.

Israel Hicks discusses the challenges of presenting Radio Golf.  He has directed all ten of the cycle plays.



For more information about Wilson's Pittsburgh, see this clip:


Below is a picture of Wilson in front of the house where he grew up in Pittsburgh.



Thursday, February 10, 2011

Links for 2/17 -- Fences & Soul Gone Home

The picture above is from the recent Broadway revival of Fences.


James Earl Jones played Troy in the original Broadway version.


To start with, here is a link to Oberlin's site for its Death of a Salesman:


The pictures from the production are here:


Below is the video from the BBC production that we watched:


The actor who played Willy in the BBC version also played the character on which Norman Lear based his Archie Bunker.


There is no movie version of Fences, but here are some trailers from various productions:

I'm not sure where this production is from:


Denzel Washington recently played Troy in a Broadway revival of Fences:


Ah, here is a collection of scenes from that version!


Kenny Leon directed another version at Boston's Huntington Theater:


In 2007, Portland (OR) Center Stage presented this version:


This version is a film rather than a play filmed:


The last clip is a classroom version from Introduction to Theater at CUNY Baruch:


Here is a video of Langston Hughes' Soul Gone Home.  It was made at Harold Washington College in Chicago.



I will also link to my blog entries on two of August Wilson's other plays from his Century Cycle.

Enjoy!

Dr. Szlyk

Tuesday, June 23, 2009

More Local Theater...August Wilson's Radio Golf

If I were to put together an anthology of world literature, I would like to include one of August Wilson's plays from his Pittsburgh Cycle.  In fact, if I teach EN 202HM again, I would assign one of these plays as the extra reading.  I would be interested in seeing how Gem of the Ocean or Fences or Joe Turner's Come and Gone or even Radio Golf would work with our readings, both the African and African-American works as well as our plays.

Compared to Mother Courage or Gem of the Ocean, Radio Golf is a fairly traditional, straightforward play.  It emphasizes Harmond Wilks' interactions with the other characters (his wife, Mame; his business partner, Roosevelt Hicks; his old schoolmate and current employee, Sterling Johnson; and Elder Joseph Barlow, a seemingly homeless man who turns out to be Wilks' cousin).  Wilson seems to have been wrapping up his cycle in this play.  Elder Joseph Barlow is the son of Citizen Barlow and Black Mary from Gem of the Ocean.  Black Mary was the protege of Aunt Ester (who died in the 1980s), and Elder Joseph (or "Old Joe") is fighting to preserve Aunt Ester's house at 1839 Wylie Avenue.  Harmond Wilks, on the other hand, is the grandson of Caesar Wilks, the black police constable in Gem of the Ocean.  Harmond is a real estate developer with plans to demolish 1839 Wylie Avenue and replace it with a condo complex complete with Barnes and Nobles, Whole Foods, and Starbucks.  He is also running for mayor of Pittsburgh.  If he's successful, he will be the first African-American mayor of Pittsburgh.


Here are a few images of the various characters in Radio Golf.  The play, by the way, is set in 1997.

In this poster from a Broadway production of the play, we see Harmond and Mame together.



On the other hand, Chicago's Goodman Theater depicted the couple in this way.  The actor playing Mame looks quite young.

This picture of the irrepressible Roosevelt and Harmond together comes from the Boston University Theater's production from 2006.  BTW, the actor playing Roosevelt (he is wearing glasses) looks a little like my ex-boss from the 1990s.

Or you may prefer this picture of Roosevelt in his golf outfit.  He is obsessed with golf!  This picture is from a British production.

There the two men are with Elder Joseph (seated).  Roosevelt is trying to browbeat him while Harmond looks on.  This production is a very recent one from Detroit.


Then, in this picture, Harmond and Sterling (the painter) are with Elder Joseph.  Here Anthony Chisolm plays Elder Joseph.  This again is from the Broadway production of Radio Golf.


Saturday, April 5, 2008

August Wilson's Gem of The Ocean

  This photo from Syracuse Stage's 2007 production of August Wilson's Gem of the Ocean is very striking, but I thought I'd put up some words this evening to go with it.  Also, I'd like to find a few good pictures as well.

Gem of the Ocean is the first play in August Wilson's Pittsburgh Cycle...or Century Cycle, his series of ten plays, one for each decade of the 20th century.  Here is the Kennedy Center's site on Wilson's cycle.  It's a good, quick overview with useful links.

http://www.kennedy-center.org/calendar/index.cfm?fuseaction=showevent&event=titac

For more information on August Wilson, see this extensive obituary from the NY Times. 

http://www.nytimes.com/2005/10/03/theater/newsandfeatures/03wilson.html?pagewanted=1&_r=1

Gem of the Ocean is set in the 1900s, a period of time that was as close to the Civil War as we are now to the 1960s.  Two of the characters in the play, Eli and Solly Two Kings, had helped to bring slaves to freedom via the Underground Railroad.  During the play, Solly tells of his own escape from Alabama, and he is intending to return there to rescue his sister.  Another character, Aunt Ester had been a slave as well (although she is a mystical individual, being 287 years old and able to travel to "The City of Bones.")  In the picture above, Aunt Ester, together with Eli, Solly, and Black Mary (Aunt Ester's protege), is conducting Citizen Barlow, a young refugee from Alabama, to that city so that he can redeem himself despite a death that he was responsible for.  (At the beginning of the play, another young man has drowned himself rather than admit to a crime he did not commit.  Citizen not only committed the crime but also looked on while the young man drowned.)

The productions of Gem of the Ocean & Fences that my husband and I saw at the Kennedy Center were staged readings.  In other words, each of the actors carried with him or her a bound script; however, some barely relied on their scripts and even used them to substitute for various props.  The actor playing Black Mary, for example, held her script as if it were a frying pan.  In Fences, on the other hand, the actors playing Troy and Rose passed a script between them as though it were the baby that he had brought home from the hospital.  Despite the performances being staged readings, the actors usually wore appropriate costumes, and the set design evoked Pittsburgh without being terribly fussy.  In fact, the same blue/black background served for both plays that I saw; only the arrangement of tables and chairs differed.  This is very different from some productions that I have seen; there the set design has been very elaborate, almost museum-quality.  (See the pictures below from "Jitney" and "Joe Turner's Come and Gone.")

However, as Gem of the Ocean contains much magic realism, a museum-quality set might be inappropriate.  After all, Citizen Barlow travels to the City of Bones in a paper boat made from Aunt Ester's bill of sale, and the play's most prosaic character, Caesar, is clearly an interloper.

Here are some reviews of other performances of Gem of the Ocean.  Phylicia Rashad (the mother on The Cosby Show) has played Aunt Ester; she has also directed another production of this same play.

http://broadwayworld.com/viewcolumn.cfm?colid=1873

http://www.theaterscene.net/ts/articles.nsf/RP/0E50FE60ABD8EB8D8525709D003F8C5D


http://www.post-gazette.com/pg/06156/695731-325.stm

http://blogcritics.org/archives/2006/01/16/083723.php


DC's Arena Theater also staged Gem of the Ocean in 2006:

http://dctheatrescene.com/2007/02/06/gem-of-the-ocean/



Below is a picture from that production.  The actor playing Citizen Barlow looks quite young!


To finish with, here is another scene from the Huntington Theater's production.  In this scene, Aunt Ester is sending the peddler Rutherford Selig off to find Solly and Citizen before the police constable Caesar finds them.  Here Phylicia Rashad plays Aunt Ester.


There she is with Solly Two Kings.  Anthony Chisolm also played Solly's role at the Kennedy Center's reading.