Showing posts with label american. Show all posts
Showing posts with label american. Show all posts

Thursday, February 23, 2012

More Links for Angels in America

And what a lot of links there are!

Let's start with the HBO Angels in America itself.




The individual scenes we looked at are below.  

Here we see Roy Cohn with his nemesis Ethel Rosenberg:



We'll jump back to see Roy Cohn intimidating his doctor:


And then there are the scenes with the Angel:


The scene above is from Eastern Michigan University's production of Angels in America.  

What follows are the trailers and scenes from theatrical versions of Angels.

First is Signature Theatre's recent revival:

Next is the Theatre Downtown's.  This company is from Birmingham, AL.

Here is Indiana University's production:

These are various scenes from Signature Theatre's production:

Finally, these are the videos of interviews with playwright Tony Kushner, actor Zachary Quinto, director George C. Wolfe, and more!








Enjoy!

Below is a picture of the "real' Antarctica!

Monday, July 11, 2011

Videos of Death of a Salesman






The picture above is from the original 1949 performance of Death of a Salesman.  Lee J. Cobb was Willy, Arthur Kennedy was Biff, and Cameron Mitchell played Happy.  Cobb later appeared in CBS' 1966 movie for television.  

See this link for a picture from that later production:  

The 1985 Death of a Salesman is harder to find, so I will send you a few other versions, starting with a 1951 version that Arthur Miller did *not* approve of!


Avery Brooks starred in a 2008 production at Oberlin College.  (He and the director Justin Emeka are both Oberlin alums.)


Starting with this YouTube, Brooks and Emeka discuss the production:




In 2009, Charles S. Dutton played Willy in Yale Rep's version:


Brian Dennehy played Willy in 2000.  This TV movie appeared on Showtime, another of our premium channels:




These pictures are from a 2005 production, also starring Dennehy.  This production was staged at London's Lyric Theater.  I think that my sister-in-law may have seen either this version or an earlier one at the Goodman Theater in Chicago.

David Mamet argues that Death of a Salesman is a Jewish play:

http://www.guardian.co.uk/stage/2005/may/07/theatre.davidmamet



This version from 1996 is British and appeared on the BBC:


DC's own Arena Stage also had a version of Death of a Salesman as part of an Arthur Miller festival in 2008:

The Ensemble Theater's 2008 version is here.  (This company is Australian.)


I'll close with the Raven Theater Company's 2008/9 version.  This company is based in Chicago.


Wednesday, April 27, 2011

Trifles





With Susan Glaspell's Trifles, we are examining women in modern drama with the following twist: the play was written by a woman (see the picture of the playwright above).

Here is a brief biography of Ms. Glaspell:

http://www.csustan.edu/english/reuben/pal/chap8/glaspell.html#bio


For more information about her early 20th c. milieu, see this web site:

http://www.provincetownplayhouse.com/history.html


Minneapolis' Theater Unbound staged Trifles in 2005.  A scene from that production is pictured below:

LSU has staged this play as well.  Note that this video is of a rehearsal and that the sound quality may not be great:

http://www.youtube.com/watch?v=QFUaCXvIjY4

John G. Bilotta and John F. McGrew have created an opera based on Glaspell's play:

http://www.youtube.com/watch?v=mTIZ5TL1vaQ


Here are excerpts from film versions.

http://www.youtube.com/watch?v=KpNuw0vFU5E
http://www.youtube.com/watch?v=l9EPnf1WXSE&feature=related

This picture is from a version staged at NYC's Ontological-Hysterical Theater:

Woo-hoo...here are some videos!

http://www.twoheadedcalf.org/shows/trifles/trifles.html

Let's look for a few reviews.  Unfortunately, many of the videos available are school projects.

Ah, here is Matthew A. Everett's review of Theater Unbound's production:

http://www.matthewaeverett.com/columns/detail.php?articleID=483


Alexis Soloski of The Village Voice reviews The Ontological-Hysteric Theater production:

http://www.villagevoice.com/2010-02-09/theater/on-the-creepy-feminist-drama-trifles/

Ken Jaworowski of the NY Times weighs in here:

http://theater.nytimes.com/2010/02/02/theater/reviews/02trifles.html?emc=e

A student-directed performance at Illinois' North Central College is discussed here:

http://northcentralcollege.edu/x46996.xml

For more reviews of other plays by Glaspell, see this site from Seton Hall:

http://academic.shu.edu/glaspell/Performances/performances.htm



The Santa Barbara Theater of the Air has created a podcast of Trifles:

http://theatre-of-the-air.com/WordPress/archives/4256

Right now a community college in Ohio is working on a version of Trifles.  Curiously enough, this school has just finished staging Pygmalion!

We'll conclude with a picture of the original 1916 production in NYC:

 

Wednesday, April 13, 2011

Links for 4/14 -- Streetcar


These are a few scenes from the 1951 movie version with Marlon Brando and Vivien Leigh.

 http://www.youtube.com/watch?v=o_lToyPAUyE

http://www.youtube.com/watch?v=S1A0p0F_iH8
http://www.youtube.com/watch?v=BsVxmk9pq2Y
http://www.youtube.com/watch?v=CxGN29njs3Q&feature=related

Let's look at a more recent version.  In 1995, Alec Baldwin and Jessica Lange played Stanley and Blanche for a TV movie of Streetcar:

http://www.youtube.com/watch?v=uyxPgXyat1Y

Last summer the Guthrie Theater staged Streetcar:


http://www.youtube.com/watch?v=dljehZJhvbc

In 2005, Natasha Richardson played Blanche:

 http://www.youtube.com/watch?v=8-cLKFynWwg

Cate Blanchett has also played Blanche, but this clip is of her interview with Charlie Rose:

http://www.youtube.com/watch?v=gztnc_60h4k

Her picture is below.  Her production was a traveling one, and this was taken at the Kennedy Center production.


Saturday, February 19, 2011

Links for 2/24 -- Angels in America



Yikes!  I didn't leave room for anything for Angels in America.  

First, here is some background about AIDS, starting with one of the first news reports in 1982:


Below are scenes from the 1993 film based on Randy Shilts' book And the Band Played On, which investigated our response to AIDS and argued for us to make an effort to search for a cure for the disease:




You may also need background about the Reagan Revolution.  The picture of Reagan's 1980 campaign (a stop in South Carolina) below is from Wikipedia.


Below is a link to CNN anchor John King's interview with conservative activist Newt Gingrich:


You might also like to see CNN's page on Reagan:

This president was also controversial:

The picture below of Ethel and Julius Rosenberg is from MSNBC.  It was taken during their trial for espionage.


Their trial provoked some response in the public.

For information about Roy Cohn, the Rosenbergs, and their historical context, see these sites:




The picture above is from the Guardian.  It is actually of the operatic version of the play, which premiered in 2004.


Finally, here are a few clips from scenes of Angels in America, starting with the trailer for the HBO movie:


Here is a scene with Al Pacino as Roy Cohn.  (Remember him as Richard III?)


Now these versions are from the stage.  The first is a recent Broadway revival.



The actor who played Prior is interviewed here:


Oskar Eustis, the man who commissioned Angels, speaks here:


Here you may watch an interview with the production's director, Michael Greif:


Playwright Tony Kushner speaks here:


I do want you to look at scenes from other productions!



Enjoy!

Dr. Szlyk


Thursday, February 10, 2011

Links for 2/17 -- Fences & Soul Gone Home

The picture above is from the recent Broadway revival of Fences.


James Earl Jones played Troy in the original Broadway version.


To start with, here is a link to Oberlin's site for its Death of a Salesman:


The pictures from the production are here:


Below is the video from the BBC production that we watched:


The actor who played Willy in the BBC version also played the character on which Norman Lear based his Archie Bunker.


There is no movie version of Fences, but here are some trailers from various productions:

I'm not sure where this production is from:


Denzel Washington recently played Troy in a Broadway revival of Fences:


Ah, here is a collection of scenes from that version!


Kenny Leon directed another version at Boston's Huntington Theater:


In 2007, Portland (OR) Center Stage presented this version:


This version is a film rather than a play filmed:


The last clip is a classroom version from Introduction to Theater at CUNY Baruch:


Here is a video of Langston Hughes' Soul Gone Home.  It was made at Harold Washington College in Chicago.



I will also link to my blog entries on two of August Wilson's other plays from his Century Cycle.

Enjoy!

Dr. Szlyk

Friday, August 6, 2010

Michelle Found an Article about Emily Dickinson's "Loaded Gun" poem



Link

Susan Howe provides another viewpoint on Emily Dickinson's poetry, especially on her Civil War work.

Thank you, Michelle!

Saturday, February 27, 2010

Midterm Study Guide pt. 2

This study guide will focus on our narratives of exploration, including Mary Rowlandson's captivity narrative.  These narratives were *very* popular in their day! 

We'll begin with Columbus' 1493 letter to Luis de Santangel, secretary to the royal court of Span. 

The picture above is a 1906 illustration of one of Christopher Columbus' ships (probably the Pinta) on its way to the Americas.  Note that Columbus' four voyages were limited to the Caribbean.

 

The Biography Channel recently did a show on Columbus.  Here is a link to its extensive biography:

 http://www.biography.com/articles/christopher-columbus-9254209

You may prefer its more interactive web site:

http://www.biography.com/columbus/#aChristopherColumbus


I wish that I had known about the above film about Cabeza de Vaca--even if it is in Spanish. 

Next on our list was the Spanish army officer Cabeza de Vaca's narrative of his travels through Florida, Texas, and Mexico.  Here is a route of most of his travels.  These took place from 1528 to 1536.  The map below is from PBS' web site.


PBS also has a wonderful overview of Cabeza de Vaca's journey and its aftermath:

http://www.pbs.org/weta/thewest/people/a_c/cabezadevaca.htm


Note that, like Rowlandson, Cabeza de Vaca was a captive.  Consider how he depicts the Native Americans and their landscape and how he presents his religion.  What role(s) do gender, nationality, and one's reason for being in the Americas play?




Next we read an excerpt from French explorer Samuel de Champlain's Les Voyages du Sieur de Champlain (1613, 1619).  Consider how this explorer represented his relationship to the Native Americans...at least from the excerpt we read!  Above he is depicted meeting with Etienne Brule, a man who lived with the Algonquin and then with the Huron.  Ultimately, the Huron killed Brule, believing that he had betrayed them.


Then we leaped ahead to 1804-1806 and the United States of America.  Below is C.M. Russell's 1905 painting, "Lewis and Clark on the Lower Columbia."





Although our anthology does not include excerpts from the Lewis and Clark expedition, here are the sites we looked at.  Note that these excerpts linked to below include journals from other members of the expedition such as Sergeant John Ordway and Private Joseph Whitehouse.

Here is a useful overview from the Lewis and Clark Trail Heritage Foundation:
http://www.lewisandclark.org/?p=story&n=history-of-the-expedition

These excerpts concern the expeditions' encounters with the Salish of Montana:

http://www.nps.gov/archive/jeff/lewisclark2/thejourney/NativeAmericans/Salish.htm

These excerpts tell us about Sacagawea, their Shoshone guide:

http://www.mathcs.bethel.edu/~gossett/DiscreteMathWithProof/sacajawea/quotes.html

Here is another sampling from the late fall of 1805 when the expedition was in Oregon (see the picture above):

http://www.lewisandclarktrail.com/section4/orcities/astoria/1805history1.htm


We finished this section with the captivity narrative (1682) of Mary Rowlandson, a minister's wife and mother of four who was seized by Narragansett, Wampanoag, and Nashaway/Nipmuc during a battle of King Philip's War.  (A Wampanoag chief, "King Philip"'s actual name was Metacom.)  The illustration above is from a 1770 edition of Rowlandson's narrative. 

I also want to include some pictures of the places that Rowlandson went to in her nearly three-months' odyssey through central Massachusetts, southern Vermont, and southern New Hampshire.  First is a picture of Lancaster, MA, where Rowlandson and her children were captured.


Next is the site of Metacom's encampment near Northfield, MA.


Below is an old photograph of Mount Wachusett, another stop on Rowlandson's odyssey.


For other, newer pictures of Mount Wachusett, see this link to Mark Cashman's web site on places to hike in New England:

http://www.newenglandtrailreview.com/images.asp?TID=109&index=33

As someone who grew up near Mt. Wachusett, I think of that "mountain" as a place where people go skiing, so it's nice to know that it's still a little wild and one could still have an idea of what Rowlandson saw.

Finally, here is the place where Rowlandson was ransomed.


Again, consider the impact that gender, religion, and reason for being in the Americas all have on Rowlandson's narrative.  Also, consider the differences between the various Native American peoples.  Think in terms of Native American peoples, literatures, and cultures.

I must not forget Capt. John Smith's narrative (1624) and Native American (Laguna) poet Paula Gunn Allen's poem "Pocahontas to Her English Husband, John Rolfe."  Did you know that Smith was not the only author of his history?  Also, the excerpts that we read take place in and around Jamestown, VA (pictured below--hurray for Wikimedia!)


Below is a picture of Pocahontas in Western dress.

Sunday, April 20, 2008

Coyote (and Other Tricksters)

Native American literature is known not only for creation myths but also for trickster figures such as Coyote, Raven, and Rabbit. The picture of the coyote above is from Wikimedia Commons.

To begin with, here is the site where I found the Mayan tale "Coyote and The Hen" and the story of "Coyote's Adventures in Idaho" as well as stories about the other tricksters.  I really like that this site notes where a number of tales come from. 

http://www.ilhawaii.net/~stony/loreindx.html

To find out which stories come from our area, here is a map.  Click on each state to find out which tribes, for example, lived in Maryland.

http://www.native-languages.org/states.htm


On the other hand, this page lists the names of the tribes. 

http://www.native-languages.org/languages.htm#alpha

Here a professor from Pittsburg State University in Kansas discusses the trickster in Native American culture.  This site also contains links to various tribes' stories about Coyote. 

http://members.cox.net/academia/coyote.html

The author of this site from the College of the Siskiyous in California discusses Native American traditional prose narratives in general:

http://www.siskiyous.edu/Shasta/fol/nat/index.htm

(The picture above is from Trinity University's online journal on trickster studies.)


For more detailed information, see Wyman P. Meinzer's contribution to a 1995 symposium on the coyote in the American Southwest:

http://texnat.tamu.edu/symposia/coyote/p30.htm

Here are a few more stories about Coyote:

http://www.americanfolklore.net/folktales/wa.html

http://www.shoshoneindian.com/legend_001.htm

http://www.siskiyous.edu/Shasta/fol/nat/flood.htm

http://www.siskiyous.edu/Shasta/fol/nat/coyote.htm

  

Other trickster figures are Raven and Rabbit.  As you will see below, different tribes in different regions had their tricksters.  The picture of Raven is from the Canadian Museum of Civilization Corporation's website:

For more information about Gordon Miller's watercolor, see this link below: 

http://www.civilization.ca/cmc/exhibitions/aborig/nwca/nwcam11e.shtml

In the Southeastern U.S., Rabbit was the trickster.   The picture below is from Professor Tina L. Hanlon's web page on Appalachian Animal Tales/Native American Tales from Appalachia at Ferrum College in Virginia.

Here is a link to Professor Hanlon's article: 

http://www.ferrum.edu/applit/bibs/tales/rabbitotter.htm

Then once you move to Africa and the Caribbean, the trickster is Anansi the Spider.  In South Carolina, this figure is called Aunt Nancy.  I wish that I could find a picture of her!


Tricksters appear in other cultures' stories as well.  Reynard the Fox, a figure from French folktales, is depicted below.  (The picture comes from Wikimedia Commons, but it originally appeared in a children's book from the 1860s.)


Saturday, April 19, 2008

Study Guide for Final (Spring 2008) -- part 5 (folktales)

As much as I love this picture, I need to put up some text. 

We began this unit with the French writer Charles Perrault's "Donkey Skin," an eighteenth-century adaptation of a folktale about a beautiful princess who has to flee her incestuous father and win the heart of a young prince...despite her necessary disguise.  Her fairy godmother, however, helps her do both.  Perrault was a "Modern."  In other words, he believed that people could improve on what the  Greeks and Romans had done.  "Ancients," on the other hand, believed that we could not.  Perrault, by the way, wrote the original Mother Goose tales.  This story is an interesting blend of magic and the mundane, clothing the heroine in radiant dresses and ending with the "moral" that "clear water and brown bread are sufficient nourishment for all young woman provided that they have beautiful clothes" and the "observation"  that "there is not a damsel under the skies who does not imagine herself beautiful and somehow carrying off the honors in the famous beauty contest between Hera, Aphrodite, and Athena" (37). 

The Brothers Grimm, folklorists from 19th century Germany,  collected and edited another version of this story.  It was called "All Kinds of Fur."  It does not have the classical references or the "moral" that Perrault added to his story.  Indeed, the Brothers Grimm's version (that again they collected and edited) spends less time at the father's fabulous palace and at the mother's deathbed and more time on the princess' escape and her efforts to attract the young prince's attention.  (However, as our anthology's editors noted, most of the people whom the brothers interviewed were NOT peasants, and the brothers later edited the stories so that they would be more appropriate for children.  Ah, the 19th century...the age of Bowdler who censored Shakespeare so that his plays could be read aloud in Victorian homes...the age of nationalism.)

I want to give you a link to the Brothers Grimm's "Godfather Death":

http://www.pitt.edu/~dash/grimm044.html

Would you read this story about the poor man who chooses Death (rather than God or the Devil) to be his thirteenth child's godfather and about the young doctor, Death's godchild, who tries to trick his godfather, to your neice or nephew?  What do you find interesting about this story?  What do you think that the German peasants who originally listened to this story found interesting about it?


Saturday, April 5, 2008

Eileen Chang & "Stale Mates"

 

I am going to have track down this book and/or movie, but in the meantime here is an entry on Chinese-American author Eileen Chang's work...which includes both "Stale Mates" and the novella "Lust, Caution."

To begin with, here is Ms. Chang's biography:

 http://www.hellomandarin.com/blog/2009/04/30/chinese-culture-eileen-changs-life-in-brief/

The author's literary executor has also written this essay that provides another perspective:

http://www.zonaeuropa.com/20050215_1.htm


This 2005 review of Ms. Chang's collected essays (in an English translation) provides more of a literary and cultural context for her work:

http://www.raintaxi.com/online/2005fall/chang.shtml

Irish writer John Self reviews the collection of fiction that contains "Lust, Caution."

http://theasylum.wordpress.com/2007/11/11/eileen-chang-lust-caution/


But about the film...

http://www.filminfocus.com/focus-movies/lust-caution/movie-splash.php



http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/01/02/btchina102.xml

http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2008/03/10/wlee110.xml

Another collection was Love in a Fallen City, which Haiyan Lee, a professor of Chinese literature at the University of Colorado, reviews here:

http://mclc.osu.edu/rc/pubs/reviews/lee.htm

Ms. Chang's first novel in English was The Rice-Sprout Song.  Charlie Dickinson reviews it here:

http://charlied.freeshell.org/RiceSproutSong

She also translated Chinese literature into English.  One novel was The Sing-Song Girls of Shanghai, which tells the story of nineteenth-century courtesans in that Chinese city.

http://cup.columbia.edu/book/978-0-231-12268-9/the-singsong-girls-of-shanghai

In addition, she wrote screenplays.  Australia's Queensland Art Gallery recently screened both the films that she had written screenplays for and those that others have made from her novels, novellas, and short stories:

http://apt5.asiapacifictriennial.com/cinema/hong_kong,_shanghai_cinema_cities/eileen_chang

At least one of these films may not have aged well (or have been that good to begin with):

http://www.brns.com/pages4/drama263.html


However, Eileen Chang's work in different media is very much worth exploring.