Thursday, February 23, 2012
More Links for Angels in America
Monday, July 11, 2011
Videos of Death of a Salesman
The picture above is from the original 1949 performance of Death of a Salesman. Lee J. Cobb was Willy, Arthur Kennedy was Biff, and Cameron Mitchell played Happy. Cobb later appeared in CBS' 1966 movie for television.
David Mamet argues that Death of a Salesman is a Jewish play:
http://www.guardian.co.uk/stage/2005/may/07/theatre.davidmamet
Wednesday, April 27, 2011
Trifles
Here is a brief biography of Ms. Glaspell:
http://www.csustan.edu/english/reuben/pal/chap8/glaspell.html#bio
For more information about her early 20th c. milieu, see this web site:
http://www.provincetownplayhouse.com/history.html
Minneapolis' Theater Unbound staged Trifles in 2005. A scene from that production is pictured below:
LSU has staged this play as well. Note that this video is of a rehearsal and that the sound quality may not be great:
http://www.youtube.com/watch?v=QFUaCXvIjY4
John G. Bilotta and John F. McGrew have created an opera based on Glaspell's play:
http://www.youtube.com/watch?v=mTIZ5TL1vaQ
Here are excerpts from film versions.
http://www.youtube.com/watch?v=KpNuw0vFU5E
http://www.youtube.com/watch?v=l9EPnf1WXSE&feature=related
This picture is from a version staged at NYC's Ontological-Hysterical Theater:
http://www.twoheadedcalf.org/shows/trifles/trifles.html
Let's look for a few reviews. Unfortunately, many of the videos available are school projects.
Ah, here is Matthew A. Everett's review of Theater Unbound's production:
http://www.matthewaeverett.com/columns/detail.php?articleID=483
Alexis Soloski of The Village Voice reviews The Ontological-Hysteric Theater production:
http://www.villagevoice.com/2010-02-09/theater/on-the-creepy-feminist-drama-trifles/
Ken Jaworowski of the NY Times weighs in here:
http://theater.nytimes.com/2010/02/02/theater/reviews/02trifles.html?emc=e
A student-directed performance at Illinois' North Central College is discussed here:
http://northcentralcollege.edu/x46996.xml
For more reviews of other plays by Glaspell, see this site from Seton Hall:
http://academic.shu.edu/glaspell/Performances/performances.htm
The Santa Barbara Theater of the Air has created a podcast of Trifles:
http://theatre-of-the-air.com/WordPress/archives/4256
Right now a community college in Ohio is working on a version of Trifles. Curiously enough, this school has just finished staging Pygmalion!
We'll conclude with a picture of the original 1916 production in NYC:
Wednesday, April 13, 2011
Links for 4/14 -- Streetcar
These are a few scenes from the 1951 movie version with Marlon Brando and Vivien Leigh.http://www.youtube.com/watch?
http://www.youtube.com/watch?
http://www.youtube.com/watch?
http://www.youtube.com/watch?
Let's look at a more recent version. In 1995, Alec Baldwin and Jessica Lange played Stanley and Blanche for a TV movie of Streetcar:
http://www.youtube.com/watch?
Last summer the Guthrie Theater staged Streetcar:
http://www.youtube.com/watch?v=dljehZJhvbc
In 2005, Natasha Richardson played Blanche:
http://www.youtube.com/watch?
Cate Blanchett has also played Blanche, but this clip is of her interview with Charlie Rose:
http://www.youtube.com/watch?
Her picture is below. Her production was a traveling one, and this was taken at the Kennedy Center production.
Saturday, February 19, 2011
Links for 2/24 -- Angels in America
Thursday, February 10, 2011
Links for 2/17 -- Fences & Soul Gone Home
Friday, August 6, 2010
Michelle Found an Article about Emily Dickinson's "Loaded Gun" poem
Link
Susan Howe provides another viewpoint on Emily Dickinson's poetry, especially on her Civil War work.
Thank you, Michelle!
Saturday, February 27, 2010
Midterm Study Guide pt. 2
This study guide will focus on our narratives of exploration, including Mary Rowlandson's captivity narrative. These narratives were *very* popular in their day! We'll begin with Columbus' 1493 letter to Luis de Santangel, secretary to the royal court of Span.
The picture above is a 1906 illustration of one of Christopher Columbus' ships (probably the Pinta) on its way to the Americas. Note that Columbus' four voyages were limited to the Caribbean.
The Biography Channel recently did a show on Columbus. Here is a link to its extensive biography:
http://www.biography.com/articles/christopher-columbus-9254209
You may prefer its more interactive web site:
http://www.biography.com/columbus/#aChristopherColumbus
Next on our list was the Spanish army officer Cabeza de Vaca's narrative of his travels through Florida, Texas, and Mexico. Here is a route of most of his travels. These took place from 1528 to 1536. The map below is from PBS' web site.
PBS also has a wonderful overview of Cabeza de Vaca's journey and its aftermath:
http://www.pbs.org/weta/thewest/people/a_c/cabezadevaca.htm
Note that, like Rowlandson, Cabeza de Vaca was a captive. Consider how he depicts the Native Americans and their landscape and how he presents his religion. What role(s) do gender, nationality, and one's reason for being in the Americas play?
Next we read an excerpt from French explorer Samuel de Champlain's Les Voyages du Sieur de Champlain (1613, 1619). Consider how this explorer represented his relationship to the Native Americans...at least from the excerpt we read! Above he is depicted meeting with Etienne Brule, a man who lived with the Algonquin and then with the Huron. Ultimately, the Huron killed Brule, believing that he had betrayed them.
Then we leaped ahead to 1804-1806 and the United States of America. Below is C.M. Russell's 1905 painting, "Lewis and Clark on the Lower Columbia."
Although our anthology does not include excerpts from the Lewis and Clark expedition, here are the sites we looked at. Note that these excerpts linked to below include journals from other members of the expedition such as Sergeant John Ordway and Private Joseph Whitehouse.
Here is a useful overview from the Lewis and Clark Trail Heritage Foundation:
http://www.lewisandclark.org/?
These excerpts concern the expeditions' encounters with the Salish of Montana:
http://www.nps.gov/archive/
These excerpts tell us about Sacagawea, their Shoshone guide:
http://www.mathcs.bethel.edu/~
Here is another sampling from the late fall of 1805 when the expedition was in Oregon (see the picture above):
http://www.lewisandclarktrail.
We finished this section with the captivity narrative (1682) of Mary Rowlandson, a minister's wife and mother of four who was seized by Narragansett, Wampanoag, and Nashaway/Nipmuc during a battle of King Philip's War. (A Wampanoag chief, "King Philip"'s actual name was Metacom.) The illustration above is from a 1770 edition of Rowlandson's narrative.
I also want to include some pictures of the places that Rowlandson went to in her nearly three-months' odyssey through central Massachusetts, southern Vermont, and southern New Hampshire. First is a picture of Lancaster, MA, where Rowlandson and her children were captured.
Next is the site of Metacom's encampment near Northfield, MA.
Below is an old photograph of Mount Wachusett, another stop on Rowlandson's odyssey.
For other, newer pictures of Mount Wachusett, see this link to Mark Cashman's web site on places to hike in New England:
http://www.newenglandtrailreview.com/images.asp?TID=109&index=33
As someone who grew up near Mt. Wachusett, I think of that "mountain" as a place where people go skiing, so it's nice to know that it's still a little wild and one could still have an idea of what Rowlandson saw.
Finally, here is the place where Rowlandson was ransomed.
Again, consider the impact that gender, religion, and reason for being in the Americas all have on Rowlandson's narrative. Also, consider the differences between the various Native American peoples. Think in terms of Native American peoples, literatures, and cultures.
I must not forget Capt. John Smith's narrative (1624) and Native American (Laguna) poet Paula Gunn Allen's poem "Pocahontas to Her English Husband, John Rolfe." Did you know that Smith was not the only author of his history? Also, the excerpts that we read take place in and around Jamestown, VA (pictured below--hurray for Wikimedia!)
Below is a picture of Pocahontas in Western dress.
Sunday, April 20, 2008
Coyote (and Other Tricksters)
Native American literature is known not only for creation myths but also for trickster figures such as Coyote, Raven, and Rabbit. The picture of the coyote above is from Wikimedia Commons.
To begin with, here is the site where I found the Mayan tale "Coyote and The Hen" and the story of "Coyote's Adventures in Idaho" as well as stories about the other tricksters. I really like that this site notes where a number of tales come from.
http://www.ilhawaii.net/~stony/loreindx.html
To find out which stories come from our area, here is a map. Click on each state to find out which tribes, for example, lived in Maryland.
http://www.native-languages.org/states.htm
On the other hand, this page lists the names of the tribes.
http://www.native-languages.org/languages.htm#alpha
Here a professor from Pittsburg State University in Kansas discusses the trickster in Native American culture. This site also contains links to various tribes' stories about Coyote.
http://members.cox.net/academia/coyote.html
The author of this site from the College of the Siskiyous in California discusses Native American traditional prose narratives in general:
http://www.siskiyous.edu/Shasta/fol/nat/index.htm(The picture above is from Trinity University's online journal on trickster studies.)
For more detailed information, see Wyman P. Meinzer's contribution to a 1995 symposium on the coyote in the American Southwest:
http://texnat.tamu.edu/symposia/coyote/p30.htm
Here are a few more stories about Coyote:
http://www.americanfolklore.net/folktales/wa.html
http://www.shoshoneindian.com/legend_001.htm
http://www.siskiyous.edu/Shasta/fol/nat/flood.htm
http://www.siskiyous.edu/Shasta/fol/nat/coyote.htm
Other trickster figures are Raven and Rabbit. As you will see below, different tribes in different regions had their tricksters. The picture of Raven is from the Canadian Museum of Civilization Corporation's website:
For more information about Gordon Miller's watercolor, see this link below:
http://www.civilization.ca/cmc/exhibitions/aborig/nwca/nwcam11e.shtml
In the Southeastern U.S., Rabbit was the trickster. The picture below is from Professor Tina L. Hanlon's web page on Appalachian Animal Tales/Native American Tales from Appalachia at Ferrum College in Virginia.
Here is a link to Professor Hanlon's article:
http://www.ferrum.edu/applit/bibs/tales/rabbitotter.htm
Then once you move to Africa and the Caribbean, the trickster is Anansi the Spider. In South Carolina, this figure is called Aunt Nancy. I wish that I could find a picture of her!
Tricksters appear in other cultures' stories as well. Reynard the Fox, a figure from French folktales, is depicted below. (The picture comes from Wikimedia Commons, but it originally appeared in a children's book from the 1860s.)
Saturday, April 19, 2008
Study Guide for Final (Spring 2008) -- part 5 (folktales)
We began this unit with the French writer Charles Perrault's "Donkey Skin," an eighteenth-century adaptation of a folktale about a beautiful princess who has to flee her incestuous father and win the heart of a young prince...despite her necessary disguise. Her fairy godmother, however, helps her do both. Perrault was a "Modern." In other words, he believed that people could improve on what the Greeks and Romans had done. "Ancients," on the other hand, believed that we could not. Perrault, by the way, wrote the original Mother Goose tales. This story is an interesting blend of magic and the mundane, clothing the heroine in radiant dresses and ending with the "moral" that "clear water and brown bread are sufficient nourishment for all young woman provided that they have beautiful clothes" and the "observation" that "there is not a damsel under the skies who does not imagine herself beautiful and somehow carrying off the honors in the famous beauty contest between Hera, Aphrodite, and Athena" (37).
The Brothers Grimm, folklorists from 19th century Germany, collected and edited another version of this story. It was called "All Kinds of Fur." It does not have the classical references or the "moral" that Perrault added to his story. Indeed, the Brothers Grimm's version (that again they collected and edited) spends less time at the father's fabulous palace and at the mother's deathbed and more time on the princess' escape and her efforts to attract the young prince's attention. (However, as our anthology's editors noted, most of the people whom the brothers interviewed were NOT peasants, and the brothers later edited the stories so that they would be more appropriate for children. Ah, the 19th century...the age of Bowdler who censored Shakespeare so that his plays could be read aloud in Victorian homes...the age of nationalism.)
I want to give you a link to the Brothers Grimm's "Godfather Death":
http://www.pitt.edu/~dash/grimm044.html
Would you read this story about the poor man who chooses Death (rather than God or the Devil) to be his thirteenth child's godfather and about the young doctor, Death's godchild, who tries to trick his godfather, to your neice or nephew? What do you find interesting about this story? What do you think that the German peasants who originally listened to this story found interesting about it?
Saturday, April 5, 2008
Eileen Chang & "Stale Mates"
I am going to have track down this book and/or movie, but in the meantime here is an entry on Chinese-American author Eileen Chang's work...which includes both "Stale Mates" and the novella "Lust, Caution."
To begin with, here is Ms. Chang's biography:
http://www.hellomandarin.com/blog/2009/04/30/chinese-culture-eileen-changs-life-in-brief/
The author's literary executor has also written this essay that provides another perspective:
http://www.zonaeuropa.com/20050215_1.htm
This 2005 review of Ms. Chang's collected essays (in an English translation) provides more of a literary and cultural context for her work:
http://www.raintaxi.com/online/2005fall/chang.shtml
Irish writer John Self reviews the collection of fiction that contains "Lust, Caution."
http://theasylum.wordpress.com/2007/11/11/eileen-chang-lust-caution/
But about the film...
http://www.filminfocus.com/focus-movies/lust-caution/movie-splash.php
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/01/02/btchina102.xml
http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2008/03/10/wlee110.xml
Another collection was Love in a Fallen City, which Haiyan Lee, a professor of Chinese literature at the University of Colorado, reviews here:
http://mclc.osu.edu/rc/pubs/reviews/lee.htm
Ms. Chang's first novel in English was The Rice-Sprout Song. Charlie Dickinson reviews it here:
http://charlied.freeshell.org/RiceSproutSong
She also translated Chinese literature into English. One novel was The Sing-Song Girls of Shanghai, which tells the story of nineteenth-century courtesans in that Chinese city.
http://cup.columbia.edu/book/978-0-231-12268-9/the-singsong-girls-of-shanghai
In addition, she wrote screenplays. Australia's Queensland Art Gallery recently screened both the films that she had written screenplays for and those that others have made from her novels, novellas, and short stories:
http://apt5.asiapacifictriennial.com/cinema/hong_kong,_shanghai_cinema_cities/eileen_chang
At least one of these films may not have aged well (or have been that good to begin with):
http://www.brns.com/pages4/drama263.html
However, Eileen Chang's work in different media is very much worth exploring.
